How many different interpretations can be derived from a single source? Because of the ubiquitous distinctions that exist within each person, the outcome we perceive from an event changes with each individual perception. Among the various editions of William Shakespeare's Hamlet, Kenneth Branagh's 1996 version combines historical images with the original script. Equally critically acclaimed is Gregory Doran's 2009 television film adaptation, which embodies a modern take on a timeless story. The various elements in each not only allow the viewer to understand Hamlet's plot, but also facilitate different perspectives on a scene: Polonius' death and Hamlet's subsequent reaction and treatment of Gertrude. Although they share the same plot, the differences between Branagh's and Doran's interpretations of that scene illuminate the contrast between a literal interpretation and a contemporary retelling. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Upon first glance at Gertrude's bedroom in Branagh's film, one immediately notices the opulent mise-en-scene in which an abundance of regal furniture and antique ornaments garnish the spacious set. Dusty pink, light blue and gold-plated items dominate the color scheme, reinforcing the immense wealth possessed by the royal family. Indeed, Gertrude's golden dress is an important source of color within the scene. The combination of these shades creates a cheerful and peaceful atmosphere: a complete juxtaposition to Hamlet's pure black suit and "old-fashioned disposition". The bright lighting creates the illusion of a more voluminous room, which ironically symbolizes the freedom beyond the reach of the characters. In contrast, Doran's film setting features an entirely different color palette, with shades of black, gray, and brown overshadowing much of Gertrude's bedroom landscaping. By using neutral shades for most of the props, a portentous atmosphere is created, amplifying Hamlet's aggressive actions towards his mother. Additionally, the color pattern alludes to minimalism, a design that is especially popular in the modern era. In Doran's case, Hamlet's frenetic behavior complements his dark surroundings. Soft lighting manipulates the hostile atmosphere of the scene by emphasizing subtle shadows. A gloomy environment is modeled with the use of soft light. The strong contrasts between the light and dark areas of the frame allude to Hamlet's psychological self-division resulting from both internal and external conflicts. Since colors and lighting represent opposite ends of the spectrum, each film reflects elements of different time periods. Another key point for analysis is the way Hamlet treats the people around him. Branagh's script does not differ from Shakespeare's in terms of Hamlet's treatment of Gertrude. Using belligerent actions to restrain his mother, it is evident in Hamlet's punitive language that aims to determine whether or not Gertrude had a role in his father's murder. The audience is left to their own judgment as to whether she is guilty or not, as seen in her anger and bewilderment at Hamlet's "madness". Furthermore, Polonius' death also adheres to the original story. The protagonist of each film shows no hesitation in killing who they believe to be Claudius. Hamlet's lack of remorse for his ultimate mistake goes so far as to even insult Polonius' corpse, calling him a "wretched, reckless, trespassing fool." The 2009 yield is no different..