AbstractA film critic can judge aesthetic appeal much more easily than how to define the meaning of a film and how it produces this meaning for audience members. However, film theory does just this by answering broader questions. Furthermore, film theory can have a direct impact on public perceptions not only of society but more specifically of debated issues such as moral code and law, social order, and right and wrong behavior. An example of how the above has a direct impact on the viewer can be seen in the film Casablanca. Critics of the film have created a portrayal of the film as a means to symbolize ongoing social and political realities, and when mixed with the film's narrative, it can be a very powerful tool that impacts the perceptions and beliefs of every member of the public. Film is a powerful medium that is used as a platform to communicate ideas and values. The film's narrative is not only shaped by the historical period, but also by the social values ​​and culture of the individual viewer. Therefore, this film communicated specific themes and values ​​through the film, a narrative perceived on an individual basis. The same influence on the spectator's perception is also given by the cinematographic theory used by critics. We saw this when the movie Casablanca came out. Furthermore, how the ideological theory of the film used not only by critics but also by the themes represented in the film's narrative directly influences the viewers' view on society and the themes of the film. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Film theory is outlined by Prince (2013) as being concerned not with the evaluation of aesthetic success but with broader issues. For example explaining what the medium is, how the film uses the meaning for audience members too. Looking further into film theory, Prince (2013) states that there are six main models of film theory that are essential for scholars and critics. Furthermore, Prince (2013) summarizes how each model has its advantages, such as addressing parts of the cinematic style and viewer experience, while only addressing some of the other aspects. Therefore, each model creates a different portrait of said medium than the others. Furthermore, Prince (2013) highlights how each model has its advantages, such as addressing parts of the cinematic style and viewer experience, while only addressing some of the other aspects. Therefore, each model creates a different portrait of said medium than the others. Prince (2013) defines the ideological film theory used by critics as a consideration of the relationship between society and film. Above all, how a film can symbolize political and social realities. Furthermore, ideology is defined as a set of beliefs about the nature of the world and society that include judgments about the ideals of social law and order, right and wrong, and behavior. For the film, Casablanca Sennett (2009) explains how the time period before the film's release was during World War II, when America was forced into the war. Due to the lack of public support, mass persuasion in the form of political propaganda would be essential to the effort on the war front. Therefore, to assure the American people that it was in fact their moral duty to eliminate the rule of Nazi tyranny, he created the film Casablanca (1942). Film propaganda is defined by Sennett (2009) as the predetermined action of circulating a specific aspect of the world using the means.37.1.2-