The film "Psycho" was produced in the 1960s by Alfred Hitchcock. She has been called the “mother of the modern horror film.” Hitchcock wanted to manipulate his audience into fear and contempt, this was achieved by choosing to make the film in black and white rather than using color to make the audience more terrified. The very title of the film creates tension and suspense. Psycho means crazy or one who is mentally disturbed. The title of the film is rather unusual. It has a powerful and profound meaning. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayThe fear that "Psycho" creates in the audience comes not from the brutality of the murders but from the subconscious identification with the film's character. Hitchcock reinforces the idea that all the basic emotions and feelings derived from the film can be felt by anyone as the never-ending battle between good and evil exists in all aspects of life. The effective use of character parallels and the creation of the audience's subjective role in the plot allows Hitchcock to instill terror and convey a lingering sense of anxiety in the audience through a progressively escalating theme. The famous scene from "Psycho" is the shower scene where Marion is killed. This scene was not only famous for being scary and psychologically emotional, but it was also shocking that the female protagonist was killed in the first half hour. The horror of the film does not rely on blood or gore. Instead the horror comes from the psychological mind, being in a shower, in a place where you should feel safe, and then being killed in that place. The horror also lies in Marion's expression and her screams. Even though we never see the knife enter the body, we still hear the sounds of flesh being cut and the powerful screams of Marion being killed, which makes the murder real and would make people shudder just thinking about it. This once again shows Hitchcock playing with people's feelings, emotions and thoughts, disturbing them psychologically by making them imagine the knife going in and out, instead of showing it directly to the audience. I think this makes the scene more powerful, intense and also believable. From the shower scene, the audience believes that Norman Bates' mother killed Marion. We see Norman take the body, clean up the scene, and throw the body into a car and then into the river. This once again increases Norman Bates' uneasiness, as he becomes a puppet for his mother's psychotic behavior. However, when Norman is waiting for the car to drown in the water, Norman smiles and has an evil smile on his face. This immediately makes people wonder and ask Norman if he actually enjoys helping his mother do this, or if perhaps he could have taken part in killing Marion. In her final moments, Marion seems to be searching for something, perhaps feeling herself slipping away. from this world and needs to feel a material object to maintain his grip on this world, or he may reach out to the audience as if he is trying to say "why didn't you help me?" He then proceeds to the floor as low, dark music begins to play. His hand finally finds the shower curtain and tears it off the railing as it falls over the edge of the tub. The scene then shows that a part of the shower that was not white, the faucet, the symbol of cleanliness, had a darker purpose, washing away Marion's blood. This shows that the symbolism of cleansing can be used to both eliminate darkness but also cleanse a person from their life. The final part of this scene begins with an extreme close-up of the motionless, blind and unblinking eye of.
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