The genre convention clearly detectable from the beginning of the film is that there are clear alternative double extremes. This is where you can clearly recognize the great characters of the film and at the same time see the evil characters too. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay In Hot Fuzz, it's obvious from the start that Nicholas Angel, the film's pivotal cop, is a protagonist. This is evident from the care he dedicates to his business and the attention he shows towards London. This is evident from when his supervisor attempts to move him from London to Sandford. He is reluctant to move, but concludes that it would be better for his business if he was not wanted or needed in London. When he touches base in Sandford, it is clear to recognize his rivals. The two "Andies" (Wainwright and Cartwright) appear to be exceptionally suspicious characters when we initially meet them. Over the course of the film, they become more and more relaxed, almost relaxed, and it suggests to us that they couldn't care less about their business. This is also the case throughout the film with the other main characters in the film, for example the Chief Inspector, the Porters and Simon Skinner. The following genre convention of action films that are followed in Hot Fuzz is the fat that there are murders, and a ton. Without murders in an action film, the plot of the film would be destroyed and since it is generally the job of the main ones, perhaps a couple of heroes, to solve the riddle on the question "Who did it?" This is exactly the case with Hot Fuzz. Nicholas Angel, the main cop, as explained above, tries to figure out which person in the Sandford community is avoiding executing pure people who had all the characteristics of being everyone's companions when he initially touched the town. As viewers, throughout the film we are left to speculate about who the executioner might be and this is another tradition of the business of film writing. Usually you don't find out until the end of the movie who the executioner is, but for this case you get some answers about 75% of the way through the movie as to who the executioners were because whatever is left of the movie is where Nicholas Angel tries to get them all. The last little genre convention followed in Hot Fuzz is an old-fashioned car business. This is a tradition of action films as it occurs in a considerable extent of them and typically it is the hero, in this situation Nicholas Angel, chasing the adversary who in this situation was Simon Skinner and the Chief Inspector. Car stalking in action films is supposed to build the pace of the film and influence people to hold their breath thinking "Will they get them?" This is the situation at Hot Fuzz. Being an action film, Hot Fuzz is quite male-skewed, but the dramatic component paves the way for involving both sexual orientations. Hot Fuzz is basically aimed at a young adult audience with an average working lifestyle, such as a 9 to 5 job, enjoys going out for a drink a few evenings, etc. Basically the white collar class. According to the BFI's factual yearbook, people aged 15-24 made up 30.8% of people's cinema gatherings in 2015. For the 25-34 age group it was around 15.9%. To the extent that factuality is gendered versus comedic, dramatic or satirical, one case I'm using is Inbetweeners 2, which was 53% male and 47% female. Considering the films are the two comedies, this would prove my point that Hot Fluff is only male-skewed to some extent, basically due to the activity and members.